Imprints 2023 - 2026
Updated: 2 days ago
Between Olive Trees, 40'' x 40'', 2026, 5 editions My Garden, 42.5'' x 54'', 2026 One Hum, 40'' x 30'', 2025, 20 editions Rising II, 40'' x 24'', 2026, 5 editions Rising, 40'' x 24'', 2026, 5 editions Blue Window, 36" x 36", 2024 Fiori, 20'' x 20'', 2025, 10 editions Blue Still, 27'' x 27'', 2023, 10 editions Memory Of Trees, 20" x 20", 2024, 10 editions Portals, 20" x 20", 2024, 10 editions Flowers and Light Bulbs, 20'' x 20'', 2023 Trees in the Sky, 20'' x 20'', 2023 With Flower, 20'' x 20'', 2023 Roma, 20'' x 20'', 2023 With Willow Tree, 20'' x 20'', 2023
Archival Fine Art Print on Photo Rag Baryta (selection)
Limited editions
These pieces are contemplative and dreamlike in nature. The layered photographs are personal memories of experiences and places I have visited and that have stayed imprinted within me - still resonating, still embodied and present.
One Hum, 2025
On the Day of the Dead in Mexico, the marigold flower, cempazúchitl, symbolizes and celebrates the souls of the dead returning back home. Its golden-orange petals are laid on the streets, leading the way to the altars created by loved ones in churches or homes. I remember the beauty of this tradition vividly, and how I first translated it into a painting during high school art class.
In my recent work, the flower has returned to my work – as both meditation and offering. I’m focusing more and more on layering and juxtaposing seemingly unrelated images, as a way of exploring the quiet tension between freedom and confinement, stillness and vibration, isolation and connection, clarity and ambiguity.
By combining architectural and organic forms - and altering the scale between them – I aim to evoke a visual idea of space and time: one that mirrors a state of awareness often experienced in meditation, where time dissolves yet lingers in us as consciousness forever.